Get $100 For Your Short Story


Three-Lobed Burning Eye (3LBE) is a speculative fiction magazine published online twice per year and print anthology (every other year). Each issue features six original stories, some with audio readings. 3LBE was founded by editor Andrew S. Fuller in 1999.

Please read some issues of the the magazine to learn what they published, and read the full guidelines before submitting ficition.

Fiction Guidelines
What they Publish: Original speculative fiction.
Word Count: Short fiction 1001–7500 words, Flash fiction ≤1000 words, (2000–5000 preferred length)
Simultaneous Submissions: No. (Do not send to another publication simultanteously.)
Multiple Submissions: No. (Do not send more than one.)
Reprints: No. (Do not send stories previously printed, posted online, audio, or via Patreon.)
Language: English (Translations are welcome from around the world.)
Pay Rate: $100 for short fiction, $30 for flash fiction; + 1 print annual
Rights: They purchase first world electronic rights, with non-exclusive archival rights, optional first audio rights, and non-exclusive anthology rights for the annual printed later. Payment is made within 30 days of publication via PayPal.
Response Time: Within 90 days

Submission Status: They are currently open to submissions. All submissions through May 21, 2020 have been read and responded to. Please query if you haven’t heard back.

Our Needs
What They Are Looking For
Original speculative fiction: horror, fantasy, and science fiction. They are looking for short stories from across the big classifications and those shadowy places between: magical realism, fantastique, slipstream, interstitial, and the Weird. They will consider suspense or western, though they prefer it contain some speculative element. They like voices that are full of feeling, from literary to pulpy, with styles unique and flowing, but not too experimental. All labels aside, they want tales that expand genre, that value imagination in character, narrative, and plot. We want to see something new and different.

They believe in diverse characters and points of view in fiction; and encourage authors of every race, culture, creed, gender, orientation, expression, status, age, and ability to submit their work.

Their issues include audio readings. If your story is accepted, you will have the opportunity to record your story, have a colleague do so, or one of their narrators.

They prefer that contributors wait two issues before submitting again. If your 3LBE story is later reprinted in another publication, they will appreciate a mention.

What They Are NOT Looking For
They are not interested in fan fiction, novel excerpts, or memoir. They do not publish poetry or non-fiction (reviews, essays, interviews). They are not currently considering reprints or outside artwork.

They are not looking for extreme horror. Please avoid excessive descriptions of violence or gore.

They do not publish erotica per se, but won’t mind some hotness in context of the story.

Though 3LBE’s title echoes a line from an H. P. Lovecraft story, their publication is not a Cthulhu Mythos-themed venue. They are open to the occasional “Lovecraftian” short or cosmic horror tale, though they prefer that you make the story your own.

For legal reasons, writers must be at least 18 years old.

How to Submit
They only accept electronic submissions via their online form. They do not accept email submissions or attachments, your story will be pasted into the online form. If after 90 days you do not hear from them, feel free to query.

If you receive a rejection, please wait a minimum of seven (7) days before submitting again. Please do not respond to rejections, even to say thank you, or resubmit revisions of rejected stories. Also, please limit your submissions to a few in a calendar year.

Cover Letter
Brief cover letters are appreciated, no more than a single paragraph, please. Include your top three or four publishing credits and any experience relevant to the story. Please refrain from summarizing your story.

Formatting
Please format italics with surrounding underscores. Indicate section breaks with # symbol, do not add extra manual line breaks. Single- or double-line spacing does not matter. Proper spelling, grammar, and punctuation are characteristics of a professional manuscript.

Advice
Read a few issues of 3LBE to see what they publish. Write something better. Explore, challenge, be original. They only want your best.

Read widely in the science fiction, fantasy, horror, mystery, and other genres. Beware clichés, overused language, hackneyed plots, cheap thrills, thin characters, and wish fulfillment. There is nothing wrong with tropes and trends like vampires, werewolves, ghosts, zombies, serial killers, faeries, superheroes, or aliens; but we are interested in new explorations of ideas. Don’t rely on cleverness and twists. Strive for depth, texture, and imagination.
Click here to submit your work
https://www.3lobedmag.com/submissions.html?utm_campaign=shareaholic&utm_medium=email_this&utm_source=email


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Excerpt: A Woman’s Essence

Nash’s Return – The Incomplete Ritual


“Nashitsevhe lost everything. He got terribly sick. Over the years he has brought many other girls to Kajengo, in a desperate bid to get his life back, his wealth and influence. It was all in vain. Kajengo kept telling him the same thing. He has to find you and bring you back. Do the ritual all over again. He said you are his key.”


Grace, look!” Moesha says urgently, motioning with his eyes. “Across the street.”
I follow his prompt, and I am shocked. There she is again, standing against the fire hydrant and watching the salon like a hawk. I sigh in chagrin, and shoot a real, enraged glance at her across the street. She is undaunted. She stares right back at me. The scorching sun wouldn’t move her, so a dirty look is as futile as drowning a fish.
“You can tell us, Grace,” Moesha begins, popping a pout and rolling those eyes burdened with thick mascara. “Just let the cat out of the bag.”
“Tell you what?”
“If you are now batting for the other team. We won’t judge.”
I click my tongue disdainfully. Moesha has always thought I am gay, because he has never seen me with a man in the three years I have worked with him.
“Moesha, I told you, I have never seen that woman in my life. You are still the only homosexual in the room, thank you very much.”
“Well, then maybe she has a crush on you,” he says, absent-mindedly yanking the client’s hair with the comb. “It’s the fourth day she comes around just to stand there and gawk at you. And each time you accost her she does a Caster Semenya. Talk about a run-away bribe.”
“I know that woman,” the client I am working on suddenly blurts out. I quickly turn the chair around so she would look directly at me. She rolls her eyes at me, and chews the gum worse than a cow masticating curd.
“You do? Who is she?”
“I don’t know her name,” she exclaims, wide-eyed. “She is not my friend or anything.”
Suddenly, her face looks as if she has caught a whiff of something rotten.
“She is one of the ladies who sell cheap weaves and wigs near Capitec Bank downtown,” she continues. “She is from Zimbabwe or something. These ladies claim to sell genuine Brazilian. Feels like steel wool the crap they sell, if you ask me. After just a day of wearing it, it starts looking like a roadkill that has been in the sun too long.”
“And that is why you are sticking with us, isn’t gal?” Moesha says with feigned excitement. “Because you my dear, have got good taste.”
“You know it, gal,” the client says, giving Moesha a High Five, then she looks at me, and sulks. “Zim. You got some friends, Grace.”
“I knew there was something familiar about you, Grace,” says Moesha, his hands on his hips. “You are Grace Mugabe wena, in hiding from Uncle Bob, and that woman is a Zim Secret Agent sent to find you and bring you home.”
“Moesha, please!” I scold him. “Does Zim even have a Secret Service?”
Raptous laughter fills the salon. I cast a glance across the street again. She is gone. Just like that.
“What the hell!” I exclaim. “Where did she go now?”
“Uncle Bob’s spy,” Moesha hisses. “Poof! Now you see her, now you don’t!”
“Gal, stop or I will shove this hot comb down you throat.”
“Grace, if you really want to find your friend, just go by downtown,” the client says. “Botha and Escombe Streets. These ladies are there until late. Unless the cops chase them away. In any case, they have the memories of chickens. The cops chase them away daily and an hour later they are back on the very same spot. Not even an hour. Five minutes.”
I avoid downtown like it is a quarantined sector. It is always packed, any day of the month, and there is always that likelihood of literally stumbling upon someone from a past you wish to forget and leave buried behind you. But this time around, I have no choice. I need to find this woman and squeeze the truth of why she is stalking me out of her.
The hawking business is huge in downtown Witbank, and because most of the hawkers are illegal immigrants in breach of municipal bylaws, they don’t have stalls. They pound the pavement with their wares in their hands for easier retreat and cowering should cops pounce.
Should you not find what you are looking for in the wares he is carrying, his fellow countryman pounding the pavement on the other side of the street will surely have it. If that too fails, then he will ask you to wait a moment, and he will stride a short distance to either a rubbish bin or the storm water drainage. He will fish out a large carrybag with the rest of his stock – merchandise storage vaults that even cops still know nothing about.
I spot her as soon as I turn out of Escombe Street. Dressed in tight jeans and a cream, sleeveless top, her dark skin glistens with sweat under the unforgiving sun. She has a demonstration bust on one hand and a weave on the other, and targets women passing on the sidewalk with a sales pitch that is more of a nag than anything else to some. She doesn’t seem to notice or care that most women opt to walk off the sidewalk and into the road, just to avoid her and the other traders altogether. The traders own almost every pavement and sidewalk in downtown.
“Nayi le wig oyifunayi, sesi,” she recites her pitch in a tell-tale Zim accent, as she blocks the way of one woman. “And ingakufanela kanjani. Only R350, sesi. This is real Brazilian. Elsewhere, you will pay R3500. Only factory prices la kimi mama.”
“No thank you,” says the woman, visibly annoyed, and tries to brush past her. She blocks her way again.
“At least try it on, ke,” she is so persistent she won’t take a NO for an answer.
“Excuse me,” I say, patting her on the shoulder. She turns around, a big smile on her face. Then the smile vanishes, replaced by appalled recognition. She takes a step back, preparing to bolt again.
“I know where to find you now, so running won’t help,” I tell her. “Who are you? What do you want from me? Why are you stalking me?”
She stares at me, now panting as if she has difficulty breathing. She suddenly seem utterly petrified.
“You really don’t remember?” she asks. “Mashonaland West, Zimbabwe, five years ago?”
“Nice try,” I retort. “I have never been to Zimbabwe. Not even Beit Bridge. Now tell me the truth. Who are-“
“Your life is in danger, Grace!” she cuts in, still panting. Now she looks as if she will break down and cry. Her eyes dart around, unsettled, as if she expects someone dangerous to loom out of the pedestrian traffic.
“What?”
“Nashitsevhe is looking for you.”
“Nashi who? What are you talking about …” I cut myself short, a terrifying realisation hitting home like a ton of bricks. “Nash? Why would Nash be looking for me? How do you even know that poor excuse for a human being? Who are you?”
“You really don’t remember me, do you?” she says, with genuine empathy in her voice. “My name is Abina Moyo. Do you remember the ritual at inyanga Kajengo’s homestead at Kariba Sbhilobhilo, in Mashonaland, five years ago? I was one of the maidens who helped during your cleansing.”
“Cleansing?” I ask, bewildered.
“You had to be cleansed, so you would be as pure as a virgin,” she persists, as if she assumed I understood the basics of what she is talking about. “To remove the souls of any man you have ever slept with.”
I suddenly feel dizzy. I feel her grabbing my arm as I tether on my feet. She sits me down on the pavement. I look up at her.
“I was in Zim?” My brain is still battling to process the abrupt influx of information about so many gaping holes in my past.
“You were in the heart of Mashonaland,” she says, rubbing my shoulder gently. She was still gazing around cautiously. “Grace, something went horribly wrong with that ritual. Nashitsevhe lost everything. He got terribly sick. Over the years he has brought many other girls to Kajengo, in a desperate bid to get his life back, his wealth and influence. It was all in vain. Kajengo kept telling him the same thing. He has to find you and bring you back. Do the ritual all over again. He said you are his key.”
“Me?” I ask, confused. “Just wait. How come you are here? Have you been sent to find me?”
She laughs. “No dear. I fled from that place a year ago. Kajengo wanted to make me his 13th wife.”
“That sick old bastard,” I laugh along with her, the light moment easing the tension. “Anita, what exactly did they do to me there?”
She sighs, and gazes afar. “Do you know what is ‘ukuthwala’?”
I feel my heart sink, and heave a deep breath. “That’s when these greedy bastards make blood sacrifices in order to get stinking rich. Is that what happened to me? I was a blood offering?”
“Not exactly,” she says. “Tell me, when was the last time a man asked you out on a date? Any man. Even a lowly, dirty homeless scum.”
I purse my lips, reminiscing. “About five years ago. Anyway, after the Nash incident, I made a decision to stay as far away from men as possible.”
She snorts knowingly. “Grace, you are a beautiful woman. Men would dig you up from under a Muslim frock. But they stay away from you because … you no longer have … that thing. It was taken away from you that night, and transferred to Nashitsevhe.”
“What? Are you saying I am cursed?”
“I am saying you are a hollowed out shell,” she says. “Everything that makes you a woman, not your breasts and vagina, but your core. Your aura. It is gone. Nashitsevhe has your woman’s aura.”
I chuckle in disbelief. “That’s nonsense.”
“Let me put it this way, and maybe you will understand what has happened to you,” she says, warming up to the subject. “Men would do anything for a woman. They would give you the moon if they could. Kajengo takes your core as a woman, and imparts it into the Nashes of this world. The business deals he keeps scoring? It is not because of his brilliance or unmatched business acumen. The powerful men in those boardrooms just can’t help it but dish out all the contracts to him. So year after year, he brings a beautiful woman to Kajengo, so his aura can be replenished.”
“How many women has he brought in the past, before me I mean?”
“I know of five, at least that’s the number of years I had been at Kajengo’s homestead,” she says. “Grace, he started doing this from a very young age. Early 20’s. I have seen many other men here in Witbank and in Jo’burg, who were regulars at Kajengo’s homestead. Each I see them with young beautiful women, my heart breaks, because after the ritual, the ladies are as good as dead. They become empty vessels, living for the sake of being alive. Like you.”
“Can’t this be broken?” I ask, out of pure desperation than anything else. “Surely, there must be muthi that can reverse -“
“You can’t,” she interjects firmly. “No inyanga or sangoma is as powerful as Kajengo. His spells are iron-clad.”
She is silent, pensive. “Except …”
I look at her, curious. “Except what?”
“There is another way,” she says, but seems reluctant to cough it up. “You have to kill him. You have to kill Nashitsevhe.”
Pause. Even traffic seem to be on mute.
“It shouldn’t be too difficult, because he is no longer as powerful and strong,” she says. “I saw him. He is here in Witbank too …”


Calling On All Young Writers

Page Turner Awards Is Calling On All Writers Aged Between 18 And 25


The Page Turner Awards offers writers the chance to enter the first 10 pages of a completed, unpublished fiction or non-fiction manuscript, where a group of literary agents will read the work. Last year three writers won a literary agent, five writers won a publishing deal, and thirteen independent authors won an audiobook production.

This year, Page Turner Awards has five award categories namely, a Writing Award for unpublished, completed manuscripts, a Young Writer Award, for writers aged between 18 and 25, a Writing Mentorship Award, for uncompleted manuscripts, a Screenplay Award for scriptwriters with a completed screenplay and a Book Award, for authors with a published book, mainstream or independently published.

Of course, writers of all ages are welcome to enter of our other 4 awards, which are for writers of all ages.

Please share to any younger writers you know as we have several judges who are particularly looking to launch the careers of younger writers.

Learn More > https://pageturnerawards.com


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Sign Up, Submit, Publish And Get Paid

Sign Up, Submit, Publish And Get Paid

That’s how easy it is to get paid for your poetry, prose or letter to the editor. Payments vary from $10 per line of poetry to $150 for prose, and you can submit your work throughout the year, as long as it is previously unpublished work.
What kind of work is Poetry Foundation looking for?
We examine all work received and accept that which seems best. We consider original works written in the English language as well as translations of poetry into English. We regret that the volume of submissions received and the small size of our staff do not permit us to give individual criticism.

Does Poetry Foundation accept previously published material?
No. We cannot consider anything that has been previously published or accepted for publication, anywhere, in any form. Work that has appeared online is considered to have been previously published and should not be submitted.

Does Poetry Foundation pay money?
Yes. Payment is made on publication at the rate of $10 per line (with a minimum payment of $300), and $150 per page of prose, for first serial rights. All rights will revert to the author upon publication. Authors will also receive two contributor copies of the issue in which their work appears.

How do I submit my work to Poetry?
As of July 2013, we no longer accept paper submissions. We now have an online system for you to send us your work. It will securely send our editors your work and e-mail you a confirmation that it has been received. When you are ready to submit, please visit our submission system at poetry.submittable.com. Your account will be set up during your first submission. There is no need to create an account beforehand.

Once you have submitted your work, you can check the status of your submission by signing into your Submittable account.

What file types can I submit?
Under the “Poetry” category, submit files in one of the following formats only:

Word document (.doc) files
Rich Text Format (.rtf) files
Text (.txt) files
Portable Document Format (.pdf) files
Word Perfect (.ppf) files
We now also have a “Visual Poetry” category which accepts the following: JPEG, TIFF, PNG, PDF, and Word document files.

Please note that submissions are limited to four poems (1 file), and should not exceed ten pages. Poems should be submitted in a single file, with poems separated by titles or page breaks. Please include all writer contact info on the first page of the submitted file.

When can I submit to Poetry?
We accept submissions year round. We ask that you do not make multiple submissions: please wait for a response to your submission before sending new work.

How soon can I expect to hear about my submission?
Out of respect for poets, we are doing everything we can to minimize response time. We will do our best to respond within seven months from the day of receipt, but are sometimes slower in responding. Please be patient! It is our goal to make sure each submission gets a good read. Adhering to our single submission of four poems or fewer at a time will help insure a timely response to your work.

Please ensure that you set your e-mail spam filter to allow mail from both poetryfoundation.org and poetrymagazine.org; otherwise notification regarding your submission may be marked as junk mail.

Do you still accept standard mail submissions?
As of July 1, 2013 we will no longer be accepting paper submissions.

Who can I contact if I’m having trouble using the online system?
Please contact Submittable by e-mail (support@submittable.com) or by phone: 855.467.8264.

Anyone contemplating a submission is encouraged to examine the magazine before sending a manuscript.

SUBMIT A LETTER TO THE EDITOR
Poetry is looking for thought-provoking responses to work published in the magazine, as well as letters that raise new questions about the state of contemporary poetry. To send us your letter, please fill out the form here.

If we choose to use your letter, we will notify you by phone. If you have not heard from us within two weeks of sending your letter, you may assume we will not be using it. All letters may be edited for length and clarity, and may appear online, in print, or both.
Go to http://www.poetryfoundation.org/poetrymagazine/submit


There’s A Mlungu On My Stoep!


American Author Eve Fairbanks Speaks In Soweto

If you have always wondered what the book, The Inheritors: An Intimate Portrait of a Brave and Bewildered Nation, is all about, then your opportunity to pose questions directly to the author has literally landed on your stoep.
Author Eve Fairbanks will be at the Soweto Book Café, 1023 Mafumbu Street Zondi 1, on Saturday, 6 May. She will be chatting with Daily Maverick scribe Sipho Hlongwane about the book, which is set in South Africa, Meadowlands to be precise.
The book was published in the US last year and it has just been published in South Africa by Jonathan Ball. A dozen years in the making, The Inheritors tells the stories of three ordinary South Africans, trailing their journeys in a country still finding its footing after yanking the yoke of apartheid and white supremacy.
“The Inheritors is a story of three people – Christo, Dipuo, and her daughter Malaika – living through a time in South Africa that both afforded massive change and that often feels totally stuck, not moving fast enough,” said Eve. “Dipuo and Christo were born around 1970, and they were teens both fighting apartheid on different sides – Dipuo as an activist in Meadowlands and Christo as one of the last white men drafted to fight for the apartheid military. In 1992, on her twentieth birthday, Dipuo gave birth to Malaika. Actually, Malaika’s given name was Lesego, but when she was about four, she told Dipuo she wanted a different name. Dipuo told me she went to the requisite government office to change it because “I respected her.” That encapsulated a lot of the hopes around the “born free” generation–that they would have unprecedented opportunities to choose their lives or make them from scratch. These are the three main characters. I worked with them for many years, and I tried to portray them as seriously and intensively as journalists often portray a famous politician or musician. Because so many more people deserve that depth of portrayal.”
The book has been shortlisted for the PEN America Literary awards (non-fiction) and one of the Washington Post’s 50 most notable works of non-fiction for 2022.
“I’m a writer who’s been living in South Africa since 2009,” said Eve. “I left Washington D.C. to move to Cape Town, then Bloemfontein, then Thohoyandou, then Johannesburg after spending three years as a journalist covering the U.S. presidential campaigns for a political magazine.”
“I’ve been told this book reads like a novel, and I think anybody who loves Dudu Busani-Dube or Tsitsi Dangarembga or even Deon Meyer might love it. It has some tough material, as adults’ lives do, but anybody 16+ can read it. It took many years in part because that’s how long it takes to gather a fiction-like level of detail and intimacy with people who are real, rather than imagined. I also hope it’s a book for people trying to make sense of South Africa’s contemporary political problems and how those show up in their own electricity-less, often frustrating but also glorious lives. It really talks about what real people wanted out of 1994, the sometimes conflicting things they hoped for, and what they really want right now. It talks a lot about power, and why in South Africa, power can corrupt. And also, the people currently in charge of the government are “ordinary people,” too–they were forged in the same crucible as the book’s three main characters.”
The event will commence at 1pm, at Soweto Book Cafe. To RSVP, email mazibuko.thami@yahoo.com

PUBLISH’D AFRIKA Magazine Facebook Short Story Competition – April 2023 Leg/ Bongiwe Chonco

THEME: KNOCK YOURSELF OUT

TITLE: Her Damages

Written by Bongiwe Chonco

I had always been mesmerised by his brown, muscular body. It was what had attracted me to him. The thought of his proud, handsome face had always put a silly grin on my face, but as I looked at him as we stood in my small hut, his handsome face illuminated by the dim candlelight, his manhood hanging limply between his legs, his face didn’t mirror any pride. In its place there was a confused and almost pleading look as we listened to my mother’s incessant knocks.

“Nomcebo, I said open this door right now!”

It had all started when I met Bhekifa Khumalo on my way to visit my aunt, who lived near his home. He had seemed to come out of nowhere, his tall, lithe body blocking my path. His brown face was smooth and handsome. He reminded me of those black and white pictures of Shaka Zulu I saw in my history books.

“Awu gege la gege, ntaba ziyangigegela, Dudlu,” he had said.

Even though I knew what his intentions were, I had feigned some sort of ignorance as was expected of a Zulu maiden. I had just turned seventeen and at the prime of my youth. Younger girls than I already had boyfriends, but I had been keeping myself pure for someone special. The minute he stopped me, my stupid heart told me he was the special one.

“Awu kodwa bhuthi please get out of my way,” I had said, trying to sound angry and uninterested. That day after praising my beauty, he had let me go on my way but had continued courting me afterwards until I could not hold back anymore and gave in to him. Months later, against my better judgement, we consummated our relationship.

It was after I had avoided going to uNomkhubulwane, a sacred event where the maidens are tested their virginity, that my mother found out about my relationship with uBhekifa, and that I was no longer pure. She had been angry at first. She beat me up a few times, all the while lamenting the fact that I did what I had done because I knew my father was gone.

“Had your father been still alive, he would have killed you, noNdindwa. What is this shame that you have brought on me, Nomcebo?”

My father worked in Johannesburg in the mines at the then kwa Teba, and had passed two years earlier due to a problematic heart. I had been the apple in my father’s eyes. He always used to say I was the most beautiful girl in our village.

“MaShezi, you bore me a beautiful princess,” he would say. “My girl will not marry a commoner; she will marry into royalty.”

My mother’s anger had subsided when she learnt that the culprit was Bhekifa, the only son and heir of Zenzele Khumalo who was our village Induna and closest confidante to our Chief. Zenzele Khumalo had a huge, round belly like a pregnant woman who was at the end of her last trimester with twins, and walked about with the use of a walking stick. It was not an affliction of some sort but this was an indication of his immense wealth. His kraal boasted of over a hundred herds of cattle and goats. My mother decided there and then that she didn’t mind to be related to such an esteemed and wealthy man. Though Bhekifa wasn’t from royalty, it was close and she would take what she could get.

As was customary, she had to take me to Bhekifa’s home to demand damages. She had invited my aunt and our neighbour, MaMthembu, to accompany her to the Khumalo homestead, but upon our arrival Bhekifa had vehemently denied sleeping with me, let alone taking my virginity.

“Bhekifa, so you say you don’t know this girl?” his father had asked looking at me, disgust scrawled all over his face.

“Mntungwa, yes I have seen her around, but I swear I have never touched her Baba,” he said, his eyes playing hide and seek with mine.

I sobbed and thought of all the times he had looked deep in my eyes while he was on the brink of orgasm, how he would contentedly sigh afterwards with his head cradled between my breasts and would profess how much he loved me, yet now he was denying knowing me in front of our parents.

“Yeyi wena mfana, are you saying that my daughter is lying?” my mother roared at Bhekifa. 

“MaShezi, MaShezi you are not going to shout in my house, Mameshane!” Bhekifa’s father said to my mother. For an uncomfortable minute they held a glaring contest between the two of them. Then in a low, threatening voice, he said, “You heard what my boy said. He doesn’t have anything to do with this girl, so please take your filth and get out of my house!”

He pointed towards the gate with his Iwisa.

My mother was the first to get up. I could see in her face that it was not because of the fear of Babu Khumalo’s iwisa. I know from stories told by my aunt that she and my mother used to herd their father’s cattle in their youth since my grandfather never had any boys, and so they would get into fights with boys in the mountains. My mother often came out victorious. This is how I knew it was not because of fear but because of anger, because of pure blinding rage.

“Kulungile we will leave, kodwa wena mfana, yeyi, ngithi yeyi uze ulibambe lingashoni!” my mother said to Bhekifa.

She cried unstoppably on our way back home. “Awu yeyi ngiyazisa mina, now I will be the laughing stock of this whole village. Nomcebo, I ask you again, what abomination is this that I won’t even get my umqhoyiso?” she kept repeating herself.

To say my mother was angry would be an understatement; she was livid and her dignity was bruised. I on the other hand was humiliated and heartbroken by Bhekifa’s denial of our love affair and more so, by the rumours that followed us of his impeding engagement to a girl from our neighbouring village. Unlike me, she was a virgin.

True to her word, my mother and I became the talk of the village. I was the girl who gave away her virginity to a ghost since Bhekifa had denied taking it, and my mother, the woman who had a loose daughter. I imagine that I was used as an example by mothers to caution their young girls about the dangers of sleeping with boys. Every time I passed a group of girls from my village, a chorus of laughter would follow me and then they would get on a song and dance.

“Uyozsholo wena, Uyozsholo wena, ukuthi why ubuntombi ungasenabo”, which loosely meant, You will explain it all to the elders why you no longer have your virginity.

When I questioned Bhekifa, he said that it was only because he feared what his father would do to him had he admitted to deflowering a girl. He told me he was being forced by his father to marry the girl and that he didn’t love her. He assured me that he was still very much in love with me and begged me to not tell my mother.

We resumed our relationship in secret, but that meant we couldn’t visit each other. My mother was watching me like a hawk. Days passed and my mind started working. I devised a plan. When my mother told me about a vigil they were to hold at a neighbour’s house that particular night, and my plan came together beautifully. 

I invited Bhekifa over and told him that my mother would be back the following day. We had missed each other so much. We both agreed that he would have to leave at dawn to avoid being caught. He was overjoyed.

That evening I heard his knock and opened for him. I brought him his bath water like I always did. After his bath I tidied up everything and picked his clothes from the floor, but as I went to hang them by my single bed, I mistakenly dropped them in the basin with the bath water.

“I’ll take them to the kitchen and leave them by the wood stove,” I said. “By the time we wake up, they will be dry.”

After we got in bed that night, I reveled at how his body could bring me so much pleasure even though I was so bitter inside. I had heard that the delegation had been sent to his future wife’s home, but what could I do because as they say, the heart wants what it wants. We pleasured ourselves until at last we slept in each other’s arms, spent.

At dawn we were jolted awake by my mother’s voice and her knocks.

“Nomcebo open this door, I know you are in there with that Khumalo boy!” she hollered. “You see today, this boy will know who MaShezi is. Open this door right now, Nomcebo!”

Bhekifa and I could hear that she was not alone; there were two other voices with her, that of my aunt and Mamthembu our neighbour, urging her on. 

Bhekifa got out of bed and paced around my small hut. He was beside himself with fear. Who wouldn’t be? He was caught with his hand right inside the proverbial cookie jar that he had denied seeing. The anger of the women outside was palpable.

“I need my clothes, Nomcebo!”

I explained to him that his clothes were a wet heap outside. I had forgotten to dry them.

“Awu Nomcebo, you have ruined me, my father will surely kill me today,” he said.

I caught him sizing up the window a few times, looking for an escape route, but my window was too small. I got dressed and went to open the door – only partially.

“Mama, please calm down,” I pleaded with my mother who was now threatening to break my door. Bhekifa was right behind me clutching a blanket to cover his body. His heart was hammering against his ribcage.

“Open the door Nomcebo, that boy and his father were very rude to us and now he must come out and explain himself,” my aunt said.

 “All I need from him is to tell me what he is doing in my house, that is all,” my mother shouted angrily.

You could tell then that she was in her element; she had managed to trap her enemy. The neighbours who were laughing and gossiping about her would now be forced to sit down and take notes from her.

“Mama please, uBhekifa is naked. You cannot come inside.”

“Ihhehhe ntombi KaKatshana, so you are telling me that this boy is naked in my house, my house. Sister, are you hearing what I am hearing? Isn’t this the boy who denied knowing my daughter?” my mother asked, clapping her hands dramatically and roaring with sinister laughter.

“It is the same one, my sister.”

“MaMthembu, hurry and send for this boy’s parents,” said my mother. “Tell them to come get their dog and his mother to bring him some clothes. Oh, and tell that rude Khumalo to bring my cow for umqhoyiso and while at it bring another one to cleanse my house.”

I could feel Bhekifa shaking behind me. He was still hiding behind me like a scared little boy.

A devilish smile lingered on my face. I hadn’t known that revenge could taste so damn sweet. Bhekifa Khumalo had messed with the wrong women.

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PUBLISH’D AFRIKA Magazine Facebook Short Story Competition is funded by the National Arts Council, Department of Sport, Arts and Culture and Presidential Employment Stimulus Programme 3

PUBLISH’D AFRIKA Magazine Facebook Short Story Competition – April 2023 Leg/ Nala Nxumalo

THEME: KNOCK YOURSELF OUT

TITLE: SILENCE

Written by Nala Nxumalo

“The voices in my head – they are getting too loud…”

Those were the last words my father said to me. It was the 23rd of April when my gut told me to call him. I asked how he was doing and that’s all I got from him before the call disconnected. The next morning, I was told that he had committed suicide. I knew what he meant when he said the voices in his head were getting too loud; it happens to me too. It had been an ongoing battle with my dad. He couldn’t cope with the hallucinations and the ongoing psychotic episodes. He tried everything to help himself, I’m talking medication and even therapy, but none would help. In fact, the medication made it worse, that’s what he said.

After mom passed away, he succumbed to depression. Oh, that damaged his soul. As much as he was in an ongoing battle with Schizophrenia, he tried to be his jolly self just like before he got diagnosed, but when depression made him its next victim all of that was gone.

For the past six years I have not seen a smile on my father’s face or the sparkle in his eyes when mother was alive. Out of my four siblings, I was the one who understood what it was like to be in his shoes because I too, was diagnosed with Schizophrenia in my early teenage years. It was minor at first because the only symptom I had were hallucinations and they weren’t too bad. I would just see things that were never there.

I remember the time I saw a cat on a really tall tree, holding on to a branch for dear life. I wanted to save it. I needed to save it because it looked young and scared. I didn’t want to leave it alone. I remember running back into the house shouting at the top of my voice for Mom and Dad to come out and help me. They rushed out of their room ready to see what was causing me to make so much noise. I was too emotional to explain so I just grabbed their hands and led them outside to where the cat was. I pointed to the tree, and I remember them looking at me with confusion in their eyes.

“The cat! The cat is in danger can’t you see? Save him!” I screamed while shaking my dad. “He’s crying, please help him.”

“What cat? Sweetie, there’s no cat,” Mom said.

I remember my dad saying, “Oh no”, under his breath and sinking to the floor. I was confused, why they wouldn’t save the cat. Why was Mom saying there was no cat and why was Dad looking like he just had a bad realization? Those were all the questions that were running through my mind but the voice that overpowered them all was telling me to save the cat.

I started climbing up the tree but as soon as I reached my hand out to save the cat, I fell. To my luck, Dad was there waiting to save me should I fall. When I looked up, the cat was gone. That was when the voices in my head started. I couldn’t make sense of some but I remember it driving me insane. I kept on hearing, “You are a failure!” They started getting louder, I covered my ears and screamed for them to leave me alone with tears rolling down my cheeks.

That’s what people think everyday life with Schizophrenia is, but it’s not. Imagine being a fourteen-yea- old and hearing multiple voices in your head getting louder by the minute for the first time, would it not tear you apart like it did me?

That night I lay in bed staring at the ceiling trying to recall the events that occurred. I didn’t understand how the cat could just disappear. Could it be that it wasn’t there? A knock on my door interrupted my trail of thoughts.

“May I come in?” he asked.

I gave him a slight nod and he let himself in. He sat at the edge of my bed and took a deep breath. He looked as if he had a lot on his mind, like he wanted to talk to me but didn’t even know where to begin.

“Come here kiddo. Come sit here next to me,” he said patting the space on his right side.

I got out of the covers and sat next to him. He gave me a tight hug and I rested my head on his shoulder. He took one more deep breath and began to speak to me. I remember him telling me that he had been living with a mental disorder known as Schizophrenia for almost ten years at that time, and that it affected his ability to think, feel and behave normally. He told me that the symptoms included hallucinations, which means seeing, hearing, or even feeling things no one else does. At the mention of that I started to see where this conversation was heading.

“Just like how I saw that cat today?” I asked. “Yes, just like that cat you saw today.”

He mentioned how sometimes you can hear voices in your head. By then I had concluded that there was a high chance of me having Schizophrenia. Delusions are also one of the symptoms, episodes of psychosis, catatonia being the inability to move correctly, having difficulty concentrating and it affects your memory. The reason he told me the symptoms was so that I could be aware of the ones I had and the ones that could come later, or not. He promised to be there for me through every step. He proved that by taking me to a psychiatrist the next morning who did an evaluation on me and later diagnosed me with it. I also found that it has no cure and for me, I felt as if it was the end of the world.

My perspective on the condition got worse when I started experiencing more of the symptoms. I didn’t notice what was happening until my mom and siblings pointed it out. I had them telling me that what I was seeing was not real but what they failed to understand was that to me it felt real, it was my reality. It was only Dad who got it because he knew how it was like to live with it. Sometimes I can’t eat because the voices in my head get so loud I have to stop what I’m doing and just sit in silence listening to them go on.

My dad was my solace. Whenever it all got too much, all I had to do was call him and I would feel better again but after mom died, he started to pull away. I had to constantly visit him just so that he didn’t felt alone.

It breaks my heart to be looking at him in a coffin right now, but he looks so peaceful. He got the chance to silence the voices and cut off the depression that was slowly eating him away. It sounds like it was worth it, I hope it was. He is finally laid to rest next to the love of his life. Some may think that my dad lost the battle between himself and the voices, but if you really think about it, you’ll see that he won it greatly because he got to shut them up forever.

I, too wish to do the same but I have a daughter that is dependent on me; she has no one else but me. Sometimes I wish Dad wasn’t there to catch me on that day, and that I fell off that tree, cracked my skull and died. I wouldn’t have known about my mental illness, it wouldn’t have gotten worse and I wouldn’t have a daughter to live for as of this moment. I remember when I was pregnant with her, I would sometimes see her father who died in a car crash when I was three months pregnant. I would imagine that he was with me in all the moments that mattered to me the most. He was there when I first felt her kick and he held my belly. He never missed an appointment and he could not wait for her birth. Everything was perfect, until he didn’t show up to the hospital the day our daughter was born. I stopped seeing him and that killed me because it took me back to grieving. When I couldn’t see him, it was like he had died all over again, but I got through it with my dad’s help. I wonder if I’ll start seeing him too or hear his voice.

This thing is unpredictable. Instead of making me see my dad, I think it’s trying to make me follow him. I hear them whisper and giggle over how weak my father was, and pushing all the right buttons just for me to want to kill myself. These days I’m in my head just feeding off these voices.

One day they made me see my father and I thought, ‘finally, one good thing this week.’ Only for it to be an illusion of my father trying to convince me to come with him, and I knew what ‘coming with him’ meant. It took everything in me to tell myself that it wasn’t real and that my papa would never ask such of me. I’ve landed in the hospital twice because my siblings didn’t know what was going on with me, that I was going ‘crazy’ again as they would say.

In the two times of being in the hospital I escaped the second time. That’s what I was told but I don’t remember it. I saw a video that was circulating on social media of me walking around in a hospital gown shouting at cars and screaming while looking up into the skies. I was walking around on busy roads not caring whether one would hit me or not. I think it was my first psychotic episode if I haven’t had more that I just do not remember at all.

Seeing that video doing the rounds, having people who do not understand what it means to have Schizophrenia, calling me a mad woman, hurt me. It felt like it was the last straw. Like I simply could not do it anymore. Not for me, not for my dad, my siblings or even my daughter. That is what it has gotten to, this illness has driven me to the edge. It feels like I’ve reached a dead end or like I’m in the middle of the ocean with no ability to swim while trying not to drown, that’s how I feel.

The voices in my head have won. I am a failure, I am weak, I have amounted to nothing and I’ve lost a battle against voices in my own head. I have to do it, I have to take my own life. My daughter? She’s with me right now. I have made her favourite meal and she just got back from school. Earlier on while cooking, I carefully poured in a poison in our food and stirred it nicely.

“Are you enjoying the food, nana?” I ask.

She looks at me with a smile, “Yes mama.”

“I want you to know that mommy loves you and that everything she does is all for you.”

I kissed her forehead.

“Mama,” she says with her eyes partly closed., “I feel sleepy.”

I hold her hand. “Let’s sleep baby. Good night.”

She rests her head on the table and so do I.

“You win.”

My eyes shut and everything goes black.

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PUBLISH’D AFRIKA Magazine Facebook Short Story Competition is funded by the National Arts Council, Department of Sport, Arts and Culture and Presidential Employment Stimulus Programme 3

PUBLISH’D AFRIKA Magazine Facebook Short Story Competition – April 2023 Leg/ Kaluwe Haangala

THEME: KNOCK YOURSELF OUT

TITLE: Tears That Never Really Dry

Written by  Kaluwe Haangala

His pudgy little cute face made me want to smile. My little man is going to be a handsome heart breaker, is what I would have had in mind if he hadn’t just unburdened of his woeful thoughts.

“I hate children. I hate them so much!” he said it with so much venom I could tell he was close to biting his lip to stop himself from crying. That stung me because it made me realize there were things not even my mother protective hen instincts could protect my little angel from. It hurt most because our little conservative rural town was scathing and unforgiving of the unconventional. To this rural enclave that was stuck in the precolonial times of yore, family meant father, mother and children. Here I was with no husband and a mixed race child. Talk about being dealt the worst hand!

I will readily admit my whirlwind romance that blossomed towards the end of my university days was magic. It had bloomed into a beautiful marriage that lasted all of three years. Actually, it was five years. I don’t count the last two because they were wrought with his philandering  and a difficult set of miscarriages that eventually abated, bringing me some light, solace and some semblance of happiness. Lizazi is what I decided to call him, ‘the sun’ in my local dialect.

My, as far as you’re concerned as regards this story, unnamed husband was happy for maybe a few seconds before the little happy pod we were disintegrated like a hive of bees doused in vinegar and garlic. A tale of forbidden love that was initially exhilarating then, but a woeful faux pas in the present. We loved each other, a whole lot. My initial apprehension about what we could or couldn’t be was glazed over by his sunny demeanour and happy-go-lucky attitude that made me feel safe that his family would not be an issue. That seemed to change as time passed and he was given more responsibility as what was a tiny Information Technology firm minted Gold when an app they helped fund proved to be a game changer. It was then that his people thought he would do better with a lighter skinned woman, not the complexion I wore proudly but that they described as the dark side of the moon.  

Here I was a couple of years on, nursing the hurt of facing a very inquisitive child that had so blatantly and painfully learnt he was different from others. Though he spoke the dialect most commonly used in the locality, anyone hearing him speak English immediately knew he was not a local breed. After his father left, and later met an untimely death, I opted to take up a position in this, the most rural of corners of the country to rebuild a life that revolved around an uncluttered work schedule and full attention to a son that, in equivalence, was worth the inquisitive nature of an entire kindergarten class. This episode though was something else.

We had pretty much covered “the birds and the bees” much earlier than we should have, but not in more detail than what I deemed a five-year-old could handle. So, his latest question had me scrambling for answers.

“Why do people die?” asked he, serious faced and matter of fact ‘give me an answer immediately’.

“Um,” I started with a stutter trying to buy time. “Why do you ask?”

“The bullies in class laughed because you are not married and my father is dead.”

“Tell me what happened, exactly how it happened…”

“Teacher gave us some work to do and I was first to finish because I am fast. So she said I should help others, and pointed at that big fat bully!”

“Hey!” I interjected, “What did we say about name calling and body shaming?”

“No name calling because it is mean.”

“What else?”

“Who he angers you, uhm…” he trailed off stifling a giggle, knowing he was not saying the expression right.

“He who angers you controls you,” I corrected while pulling him into a bear hug to hide my smile of pride.

“But why do I have to be nice when others are bullying me? And their mothers do not say anything or even shout at them!”

“Well, I am not their mother, and I want you to grow up to be a fair and decent man. Now, tell me what happened,” I plodded, bring us back to the dilemma at hand.

“As I was helping him see that he was writing letter ‘b’ as ‘d’, he said that his cousin told him that nerds like me never get laid. I reported him to teacher who then sent him to the head’s office. What does getting laid mean? Teacher said never to use language like that.”

The question threw me off balance. I knew for a fact that the said bully spent inordinate amounts of time with his grown cousins. Satellite television was their favorite pastime and, glaringly so, all the glut a child his age should be shielded from is what passed for day to day conversation. I was not going to get in the middle of that sort of thing he was bringing into the discussion, neither was I about to be the reason my son learnt that type of language. Were I as light as he was, my blush pink cheeks would have given me away. I swayed the conversation to stave off the question that would for now remain unanswered.

“Baby boy, teacher was right. And you should not copy that kind of language, okay?”

“Yes mummy, I am sorry,” he said and punctuated that by hunching his shoulders in what I always read as contriteness. I hugged him again hoping against hope that I was drowning him with a halo that would shield his innocence from the murk of the world he had to grow up in.

“Are you going to get married to someone else?”

They say that life is what happens when you are busy making other plans. Or even that at times, life comes at you so fast that you barely have enough time to get up off your behind before the next crisis flattens you on your back.

“Have you heard?” Came my mother’s impatient voice on the other side of the line when I picked up her call after initially ignoring it during the pep talk with my son. I was eager to let him stew for now because of the bits of this tricky conversation I wanted to avoid.

“Heard what?” I repeated, trying not to sound irritated at the abrupt context less question.

“Your in-laws have produced a prenuptial agreement you allegedly signed, and a will after all these months. Apparently, he left nothing for you or his son because your marriage didn’t last five years!” She screamed, almost making my head explode from the bombshell this was.

Calmly, I said I had something urgent to handle and would call back. I had neither the will nor the desire to get my weakened demeanor chop off my power of will at the moment my son needed me. I needed my wits about me and all the strength I could summon to appear strong and able to handle the life of a five year old whose solution to tiny people problems was crying and name calling. Life had way bigger evils and he had to continue seeing me as a strong pillar of a super mom he saw always, not knowing my 3 AM thoughts made me cry worse than he did. The little respite I felt did not last much longer because he pounced before I could breathe easier.

The question of why people die is one I never gave much thought to. My own parents died quiet early and the woman I call my mother was actually an Aunt. I pretty much breezed through life minus giving much thought to such philosophical pursuits, largely due to the fact that I preferred to suppress the pain. But hearing my son ask why his father died wrung me back to the reality of a fact I had to face.

“Baby boy,” I began, doing my best to veer from my real thoughts about his father. “Sometimes, bad things happen to good people, but I assure you, wherever he is, there is no pain.”

I noted to myself mentally that I had just sounded like a spin doctor to a child who would soon be thrust into the deep end of the worst of humanity. Describing his father among good people was a gross misrepresentation, as the fateful call from my mother would later bear out. In fact, the last thing I said to his Father the last time I met him was that he could go rot in hell for all I cared. Yet I was not ready to throw his father and his people under the bus just yet because the little man doted on his father so.

“But why would anyone laugh at me if my Dad was a good man who is in a better place?”

“Listen, you see how I always tell you that you’re smart and better than anyone who laughs at you or bullies you? That is because not everyone is as you are, and because of that, most of them do not have the sense to realize that some things should not be said. Now it is up to you to be like them, become a mean bully, or be different and, remember what I always say about the change you want to see?”

“To be the change I want to see in the world!” He responded with pride and held his hand up for a high five, to which I acceded with much fanfare.

“Just because someone is different does not mean that you should also laugh. If anyone laughs at you though, just say it doesn’t matter if you’re different, because you have a Mommy that loves you.”

“I love you too Mommy, thhhiiiiisssss much!” He said with a smile as wide as China and stretching his little boy wing span as far as he could.

I smiled back, took a little bow and held my hands to my heart and signed the words I love you too in American Sign Language, something I taught him so we could have private conversations in public without anyone snooping in or knowing why we were laughing. The beautiful moment seemed paradise like.

Reveries, be they good or bad, can only last for so fleeting a moment. I was brought back to earth simultaneously by a phone call from my lawyer and a loud knock on the door. Lizazi ran towards the door excited screaming that it had to be Doris knocking. The girl, who was a few months older than him, lived close by. I didn’t mind their friendship because she was the only kid within the tens of kilometers radius that had parents more of my ilk than most. She stormed in and came to stand in front of me, arms akimbo. I knew I was in for it.

“Mum says I cannot have a boyfriend and neither can Lizazi have a girlfriend because we are too young!” she blurted out. 

Neither question nor statement of request or permission, but the look she gave me told me I was supposed to be on her side on this, or at the very least, be on Lizazi‘s side. Before I could gather my thoughts as to how best to handle this, she hit me with words that broke a part of my heart I will never get fixed.

“At least I won’t do to him the things that Aunty Febby does to him when she thinks I am taking my afternoon nap!”

“What!?” I asked in horror hoping what I was thinking was just another reverie, albeit a bad one.

“Doris! You promised not to snitch! Aunty Febby said it was all my fault and she is just helping me!” he yelped, tears immediately streaming down his face.

One second was all I needed to piece it all together, that my worst fears had fruited. My son, my sun was facing abuse I had absolutely no inkling of! I looked from one to the other, and as they both raced into my outstretched arms, I knew that the tears forming in my eyes would never really dry…

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PUBLISH’D AFRIKA Magazine Facebook Short Story Competition is funded by the National Arts Council, Department of Sport, Arts and Culture and Presidential Employment Stimulus Programme 3

PUBLISH’D AFRIKA Magazine Facebook Short Story Competition – April 2023 Leg/ Nisah Ngomane

THEME: KNOCK YOURSELF OUT

TITLE: The owl Reaper

Written by Nisah Ngomane

Time flies when it is moving towards your demise. That was the case for me. I should’ve figured out the details of my fate when Gogo was telling us the story that night. When she told us the terrifying story of the owl, I should have known that she was condemning me. I was the sacrificial lamb she was handing over to death.

I should’ve known but even if I did, what difference would it had made? What difference would it have made if her voice was less eerie? Would I not die if her laughter wasn’t crackling with the fire? All these thoughts are just spilled milk and crying over it won’t make a difference. Maybe she didn’t damn me, maybe she was just warning me of what was yet to come.

I don’t remember the story at all, my sister can’t either. It’s weird because I remember all of Gogo’s stories, even the boring ones. All I remember are these words, ‘The owl calls your name when it’s your time to die’. What’s weird is that my sister’s memory seemed to be more blank than mine.

All I remember are the cries of the owl. It’s as if it was in my room but I could not see it. Before I knew it, I was on the phone with my frantic mother on the other side of the call. I was hysteric and not making enough sense for her to be calm too.

“Mom! I want to come back home,” I exclaimed.

“Why, what’s wrong?” I couldn’t care enough for her panicking.

I felt a cold hand on my shoulder, and I dropped the phone.

“Why are you so jumpy?” Zinzile asked me.

“Why are you creeping up on me?!” I bit her head off and I still don’t regret it.

“Why are you crying?” I hated her pitiful eyes. They annoyed me even further.

“I heard the owl call my name,” I simply said.

There was silence in the room, but her laughter pierced it and it popped like a balloon. My balloon. I cried in disbelief. No, it wasn’t disbelief; it was anger. It was rage. I just didn’t know who to be angry at, so I decided to project it to the only other animate thing in my room other than myself.

“I’m glad you think this is funny. Of course, when I die, you get to be the only child!”

“What are you talking about?” It was clear that she was trying very hard not to laugh.

“I heard the owl.” I rubbed my itchy eyes.

“I heard it too but…” she let out a snicker and I grabbed her aggressively before she could finish her sentence.

“You did? What did it say?” I was shaking her body vigorously.

“It didn’t say anything, it was just its usual hooting.” She looked at me as if I was crazy.

“I’m not crazy, I know what I heard.” I must admit I was starting to doubt myself.

“What exactly did you hear?” I knew she was mocking me, but I thought I would find comfort in telling her.

I turned away from her so I wouldn’t cry if she laughed at me again.

“It would call out my name a few time and then it would tell me that I will die here, so I have to leave.”

“I thought you didn’t believe in superstitions.” There wasn’t any hint of humour in her voice. I was almost tempted to turn around and embrace her.

“I guess I’m Thomas, then. To see is to believe,” I said in a low voice.

“Not that I believe any of this, but wouldn’t death find you wherever you are if it’s truly your time to go? It’s not a physical force you know.”

I found myself wishing for her condescending laughter. What she said hit home way too hard and I was now feeling hopeless.

“I’m leaving. I won’t just give in. I’ll give death a run for its money. We’ll have a death race…” my voice failed me and I staggered to the floor. She came to my aid but I refused her help. I shooed her away.

I ran away from Gogo’s house in the dead of night. The owl came again. It twisted its neck slowly to look at me. I saw despair in its eyes but I kept on. I figured It was coaxing me into giving in, but I wasn’t going to let it win that easily.

I snuck into the school through the hole in the fence that we used to sneak out during lunch time. I set my alarm for 4am and I got some rest. I woke up before the alarm went off and freshened up in the bathrooms. I made my way to my mother after that.

I used the money I stole from my grandmother as a taxi fee to the big city. A city I had never been to by myself. Zinzile always knew what to do and where to go and without her guidance I was clueless. The owl was frustrating me, even in the heat of the day. It must’ve been witchcraft.

The hustle and bustle was too much for me. The heat, the owl – it was all too much. The many voices were driving me mad. Then I saw the owl with its majestic wings and immobile eyes lurching towards me. I ran as fast as I could, but it was as if I was running in a dream. My legs couldn’t carry me and the only thing I remember was the collision.

I woke up in a hospital bed all bandaged like a mummy.

“Thank goodness, you’re finally awake,” the nurse smiled at me with so much relief.

I returned the smile whilst wincing.

“We were so stressed we couldn’t find your relatives,” she explained to me and the relief never left her.

 “Please call my mother,” I said. My voice was hoarse.

I gave them my mother’s details and it took forever for her to reach me.

When she arrived she was with my sister and my grandmother. I was so annoyed with her; I refused to speak with her. The doctor came in with the nurse and he looked so desolate. Of course, the death note. Couldn’t they let me have a little bit peace of mind before throwing me into a tornado again.

“I’m glad that we’re all here, this is the entire family right?”

Everyone nodded except for me.

“Just say it,” I told him as soon as I saw his pitiful eyes. I had not fully accepted my fate but it was whatever.

“We…” he took a deep breath, “You have a brain tumor….” He couldn’t finish the sentence.

My sister and my mother froze. My grandmother walked over to my bedside to comfort me. I had never felt such ease as she held my hand. I had never felt so calm. I wished that she was the reaper so she would pass me over to the other side with ease and not pain. She knew, she always did. I sobbed as I silently apologized for blaming her but a part of me still did.

If she knew all along, why didn’t she try to save me. She felt my animosity and she moved away.

“No! don’t leave!” I swear my voice was loud enough to destroy my vocal cords but she seemed to not hear me. Then it hit me, I was trapped in my mind. My voice was only loud for me. It was trapped and echoing deep in the caves of my lungs. I was dead and she was here to finish me off.

A week later my sister came to visit me. Her remorse didn’t move me at all.

“I’m sorry,” she said.

“What’s that going to do, save my life?” my tongue was as slimy, slippery and oh so venomous like one belonging to a snake. It was just that mine couldn’t kill and that one true fact irritated me.

“I…”

“You’re nothing. I’m dying! It’s me who’s dying. They can’t help me! You can’t help me! I just want to die in peace. I want to go to my mother.”

I sobbed but I still didn’t want her to embrace me.

“Mom said you’ll be going home after being discharged. She’ll be there,” she informed me.

“I’m not going there,” I said.

“You don’t have much of a choice,” she said.

“I’d rather you laughed, looking back now that was so much better. It gave me relief. My big sister finding news of my death to be funny.” I looked away from her. Tears were threatening and I didn’t want to fall apart in front of her again.

“This is no laughing matter.”

“Didn’t seem like it the last time. What changed now?”

“Nothing.”

“Nothing! Exactly, so your crocodile tears mean nothing to me. You are nothing to me. You and your Gogo wanted me to die, so here we are.”

“You don’t mean that.”

“Why don’t you laugh? I want you to laugh.”

“Nandipha please…”

I glared at her with my angry red eyes and she saw it fit to leave.

I was discharged and sent to Gogo’s place against my will. Being a minor there was nothing I could do. I sulked and sulked. I starved myself and refused any help whatsoever. I refused to speak to anyone. I hated all of them, I hated them for having a life. I hated them for their pity eyes. I hated the owl for picking me. I hated life for giving up on me.

I hated them till my death. The owl came to claim me. Its feathers were shiny and golden brown. Its immobile eye seemed friendly as my soul left my body.

They gave me a “proper” send off, as they like to say. Dignified and respectful, they said. How ready they were for my send off. Policies and what nots. I’m mad, I’m really mad even in death. Why? Why does death come so swiftly in the night like a professional thief? Why does life make a pact with death with our lives? I was so young. I had dreams and ambitions. I had so much to live for but what can one do with borrowed time.

I could not and I still cannot accept my death. I only could accept that the life was never mine. It was borrowed to me. There is no choice in this life that we’re living. It is taken, at such a tender age and I wonder I always wonder how those who take their own life. Is life truly worth living if it’s going to be taken.

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PUBLISH’D AFRIKA Magazine Facebook Short Story Competition is funded by the National Arts Council, Department of Sport, Arts and Culture and Presidential Employment Stimulus Programme 3